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Craven, David

1989 0-88946-489-8
Provides the most definitive assessment so far of the arts in Nicaragua since 1979, with analyses of specific cultural policies and particular artworks associated with them. Demonstrates why the concept of art being advanced is innovative in relation to that of most earlier revolutions and how the ideological pluralism on which it is based is fundamentally at odds with the earlier doctrine of Socialist Realism.