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Fisher, James
2000 0-7734-7690-3A valuable examination of the artistry of the puppet stage, past and present. The Puppetry Yearbook creates a forum for new scholarship, as well as critical examinations of the growing number of international and multicultural artists and groups turning to puppets as a profound symbol that can both represent and transcend its human model. Submissions should be addressed to: James Fisher, Editor c/o Theatre Department, Wabash College Crawfordsville, IN 47933 tel. (317) 364-4394 Fax: (317) 364-4295. Submissions may be 5,000-10,000 words in length, prepared in any one of the standard notation formats, should be sent in duplicate accompanied by stamped, self-addressed envelope. ISSN: 1070-3624
1995 0-7734-9335-2
A valuable examination of the artistry of the puppet stage, past and present. The Puppetry Yearbook creates a forum for new scholarship, as well as critical examinations of the growing number of international and multicultural artists and groups turning to puppets as a profound symbol that can both represent and transcend its human model. Submissions should be addressed to: James Fisher, Editor c/o Theatre Department, Wabash College Crawfordsville, IN 47933 tel. (317) 364-4394 Fax: (317) 364-4295. Submissions may be 5,000-10,000 words in length, prepared in any one of the standard notation formats, should be sent in duplicate accompanied by stamped, self-addressed envelope. ISSN: 1070-3624 Volume 1: The Voice of the People (George Speaight); Puppets and the Commedia dell'Arte in the 16th, 17th, and 18th Centuries (Ryan Howard); Chapbooks and English Puppet Plays (John Phillips); Bunraku: The Traditional Puppet Theater of Japan (Kinko Ito); The Development and Characterization: Puppet Figures of Kasperltheater (Martha Freeman); The Argentine Creole Puppet Theatre (Donald S. Castro); A Chronology of European Theater Events involving Masks, Puppets, and Other Performing Ofjects, 1887-1939 (John Bell); An Interview with Lou Bunin: "Being a Puppet" (Kathryn Grow-McCromick); Po(p)litieke Satire Vlaamse Realiteit? (Freek Neirynck); Theater of the 20th Century as Theater of the Performing Object (John Bell); Domestic Resurrection: The Bread and Puppet Theater (James Fisher); book reviews.
1996 0-7734-8799-9
A valuable examination of the artistry of the puppet stage, past and present. The Puppetry Yearbook creates a forum for new scholarship, as well as critical examinations of the growing number of international and multicultural artists and groups turning to puppets as a profound symbol that can both represent and transcend its human model. Submissions should be addressed to: James Fisher, Editor c/o Theatre Department, Wabash College Crawfordsville, IN 47933 tel. (317) 364-4394 Fax: (317) 364-4295. Submissions may be 5,000-10,000 words in length, prepared in any one of the standard notation formats, should be sent in duplicate accompanied by stamped, self-addressed envelope. ISSN: 1070-3624 Volume 2:The Perception of "Puppetness" in Legacy of Modernism (Robert S. Petersen); Ancient Greek Theater, Noh, Bunraku, and Craig (Nancy L. Staub); "Gentlemen, The Marionette!": Edward Gordon Craig, Floyd Dell, and the Über-marionette (James Fisher); Histories of Gombeyatta: South Indian String Puppets (Michael Schuster); Visual Theater in South India: Gombeyatta-Puppet Traditions (Michael Schuster); Serious Humor: The Ritual Clowns of Indian and Indonesian Puppetry (Nathan Kumar Scott); A Brief Panorama on Cuban Puppetry (Freddy Artiles); The Glove Puppet Theater of Punch and Judy (Martha Feehan); The Origin and Progress of W. J. Bullock's Royal Marionettes (John Phillips); Music in Movement: The Collaboration of Julie Taymor and Elliot Goldenthal (Nancy L. Staub); Marionettes et Acteurs, des collègues faits pour s'entendre (Freek Nerynck); Satori in a Garbage Can (Bill Stout); book reviews.
1997 0-7734-8646-3
A valuable examination of the artistry of the puppet stage, past and present. The Puppetry Yearbook creates a a forum for new scholarship, as well as critical examinations of the growing number of international and multicultural artists and groups turning to puppets as a profound symbol that can both represent and transcend its human model.
2005 0-7734-5830-1
A valuable examination of the artistry of the puppet stage, past and present. The Puppetry Yearbook creates a forum for new scholarship, as well as critical examinations of the growing number of international and multicultural artists and groups turning to puppets as a profound symbol that can both represent and transcend its human model. (23 Black & White Photographs) Submissions should be addressed to: James Fisher, Editor c/o Theatre Department, Wabash College Crawfordsville, IN 47933 tel. (317) 364-4394 Fax: (317) 364-4295. Submissions may be 5,000-10,000 words in length, prepared in any one of the standard notation formats, should be sent in duplicate accompanied by stamped, self-addressed envelope. ISSN: 1070-3624
1992 0-7734-9529-0
This is an examination of the widespread influence of commedia dell'arte, one of the rarest of theatrical forms - a non-literary theatre that emphasized the skill of the improvising actor. In the twentieth century an astonishingly diverse group of playwrights, actors, directors, and designers rediscovered the art of commedia in ways that permanently changed the direction of the modern theatre. Luigi Pirandello, Edward Gordon Craig, Vsevolod Meyerhold, Max Reinhardt, Jacques Copeau, Dario Fo, Eugenio Barba, and many more sought liberation from formal literary drama. They viewed commedia as theatrical art at its pinnacle of expressivity and creativity. Includes chapters on Italy, Spain, England, Russia, Eastern Europe and Scandinavia, Germany, France, and the United States.