A Translation from "Pavan" into English of Angelo Beolco's Parlamento de Ruzante, qual giera stò in campo / Ruzante's Discourse on Coming Back from the Battlefield
Author: | Fanelli, Carlo Trumper, John Bassett |
Year: | 2012 |
Pages: | 128 |
ISBN: | 0-7734-4078-X 978-0-7734-4078-4 |
Price: | $139.95 |
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The present study is divided into three parts, the first of which is an in-depth introduction by Carlo Fanelli to the authors and problems of 16th century Renaissance Italian dialect comedy and the relevance of a playwright such as Angelo Beolco (RUZANTE). Particular attention is paid to the comedy from the point of view of the social problems presented by veterans or deserters after long and socially disastrous wars.
The second part is a short introduction to the manuscript history of RUZANTE’s dialect comedy El Parlamento prior its printing by Stefano Alessi at Venice in 1551. The Verona Codex 36 is datable to 1524, the Marciana (Venice) IT.XI,66 (in worse conditions as a manuscript) is of a later period (1526-1542), the first probably used by the playwright to prepare the comedy for staging: Verona Codex 36 is here presented in the third part with suggested modifications and a possible theatrical translation into modern English. Parts 2 and 3 are by John B Trumper.
Reviews
"A new English edition of a Ruzante work, translated specifically for an English-speaking theatre and audience, is a welcome addition to the existing studies." -Prof. Gino Belloni, Venice University
Table of Contents
Foreword by Gino Belloni
Preface by John Trumper and Carlo Fanelli
Part I Angelo Beolco Known as Ruzante and His Poetic of Snaturale
From Beolco to Ruzante, Biographical Highlights
Ancient Traditions and Modern Studies
A Comic anti-canon. The First Rustic Comedies
Ruzante's Theatrical Wisdom
Entrance to the Court: the Late Comedies and the Comic Canon
Part II Ruzante's War Theatre, or teatro della crudeltà contadina
The Evil Comedies
Ruzante's Ethics of Natural
The Parlamento and Bilora. A Tragi-comic Diptych
The Parlamento: History, Dramaturgical Texture, Language, Characters
From Venice to Europe. The Parlamento'sPerformances from '500 to '900
Modern Editions of the Parlamento
Quoted Studies (Parts I&II)
Part III
1. The Editions
2. The Language
Quoted Studies (Part III)
Part IV
Verona ms. 36 Folio 57V
Il Parlamento
Notes to the "Pavano"