Bibliography, History, Pedagogy and Philosophy in Music and Percussion
Author: | Larrick, Geary |
Year: | 1999 |
Pages: | 190 |
ISBN: | 0-7734-8165-6 978-0-7734-8165-7 |
Price: | $159.95 |
| |
Section I contains more than a hundred brief essays headed with bibliographic entries, covering aspects of contemporary percussion music. Section II contains more than twenty essays on a broad selection of subjects having to do with music ranging from the symphony to the xylophone. Section III contains several essays of musical scholarship covering analysis, biography, education, history, pedagogy and performance. The biographical sketches are of a professional nature.
"The book traverses an expansive terrain of composers: some of the well known masters who happened to write for various percussion instruments, and others, writing as percussion performers themselves, who have made contributions to the solo literature. . . . there is an entire section devoted to women in the field. Geary Larrick deals at length with the literature on percussion music, and reviews, for instance, catalogues of instruments and the literature written for them. Monographs and methods, both historical and pedagogical, fall within the scope of his discussion, and he has reviewed many solo anthologies (some of which are for students), and collections of orchestral excerpts. . . . Even more diversity appears in his commentary on percussion instruments. Naturally the instruments of the orchestral percussion section are appropriate here, but the Afro-Cuban and Afro-Brazilian instruments appear alongside oriental and biblical instruments. . . . concise and within the reach of every insider. It is even accessible to outsiders, where the world of percussion has remained, until now, incomprehensible. This book shows how vast and variegated that world is." – Richard Pinnell, Chair, Department of Musick University of Wisconsin- LaCrosse
Table of Contents
Table of contents:
List of Illustrations; foreword; Preface; Acknowledgments
Section I: Bibliographic Essays in Percussion
Abe, Keiko. Frogs, Michi for Marimba; Modern Japanese Marimba Pieces 2
Ameele, David L. Suite for Marimba
"Appendix II: Ensembles and Performers", Larrick, Geary
Basta, James. Concerto for Marimba and Orchestra
Beck, John. A Practical Approach to the Drum Set; Jazz Variants; Sonata for Timpani
"Bells", Larrick, Geary
Benson, Warren. Three Dances
Bergamo, John. Four Pieces for Timpani
Bethancourt, Jose; Collection for Marimba or Vibraharp
Blades, James and Montagu, Jeremy. Early Percussion Instruments
Blair, Dean: Abmiram
Bonanni, Filippo. Antique Musical Instruments and Their Players
Boone, Charles. Raspberries
Botsford, George. Black and White Rag
Bower, Harry A. The Harry A. Bower System
Breuer, Harry. Harry Breuer's Mallet Solo Collection
Britton, Mervin. Stylistic Solos for Timpani
Brown Thomas A. Celebrating Christmas with Percussion; Drum Fun; The Gift of Modupe
Brown, Tom. Alone ; "Samba Sonic"
Burton, Gary. "A Singing Song"; Four Mallet Studies
Cage, John. Amores
Cahn, William. Raga No. 1
Caneva, Ernest. Marimba Capers
Carmichael, Hoagy. Star Dust
Carter, Elliott. Eight Pieces for Four Timpani
Childs, Barney. Music for Bass Drum
Chopin, Frederic. Polonaise Militaire
Cirone, Anthony. "Study 32"
"Coconut Shells," edited by John H. Beck
"Coconut Shells," edited by Joseph Adato and George Judy
Colgrass, Michael. Inventions on a Motive
Cowell, Henry. Ostinato Pianissimo
Creston, Paul. Concertino for Marimba
Douglas, Wayne. Drums – The Belwin Band Builder
"The Drum" Blades, James
Durand, A. Chacone
Eyles, Randall. Raggedy Ragtime Rags; Xylophone Rags of George Hamilton Green
Floyd, John. Theme and Variations
Friedman, David "Dampening: Etude 46"
Gardner, Carle E. "Exercise 2"; The Gardner Modern Method for the Timpani
Goldenberg, Morris. Modern School for Snare Drum; Modern School for Xylphone, Marimba, Vibraphone
Gomez, Alice. Gitano; Rainbows
Goodman, Saul. Modern Method for Tympani
Green, George Hamilton. Xylophone Rags
Grimo, Steve. Cortege
Haerle, Dan "The Lydian-augmented Scale"
Hampton, Lionel. Edited by James Haskins. Hamp
Harr, Haskell. Drum Method; Intermediate Grade Marimba – Xylophone Solos
Hart, Mickey and Lieberman, Fredric. Planet Drum
Hill, Paul. Combo-Orks for Small Dance Bands, C-Books
Hinger, Fred D. The Timpani Player's Orchestral Repertoire
Hochrainer, Richard "Etude 33"
Holmgren, Mar.j Developing Four Mallet Technique
Hopkin, Bart. Musical Instrument Design
Houllif, Murray. Contemplation; Mallet Music; Tranquility
Isaac, Heinrich. Arranged by Norman Weinberg. La Mi La Sol
Janson, Thomas. Sidecar
Jarrett, Keith. Moonchild/In Your Quiet Place
Jenny, Jack. Ethos
Jolliff, Art. Music for Marimba, Vol. II and III
Keezer, Ron. Fantasy on a Raga
Krawus Phil. "Lesson VI" Modern Mallet Method
Kvistad, Richard. Concerto for Timpani
Larrick, Geary. Adagio with Accompaniment
Lepak, Alexander. Twenty-six Contemporary Snare Drum Duets
Ludwig, William F. "Standard Marching Taps and Street Beats"
Markovich, Mitch. "Back-Sticking"
Massenet, Jules. Aragonaise
McGuire, Kristen Shiner. Declaration, Song and Dance
Mcguire, Kristen Shiner and Houghton, Steven. Day of Percussion Handbook
McMillan, Thomas. "Lesson 10"
Meredith Music Publications Catalog
Miki, Minoru. "Time for Marimba"
Molenhof, Bill. Music of the Day
Moszkowsky. Bolero: Spanish Dance No. 5
Musser, Clair Omar. Etude in C Major; Etude, Opus 6, Number 8; Master Solo Arrangements; Prelude, Op. 11. No. 7
NACWPI Journal, XLVI/1
NDA Magazine, 8/3
Steve Weiss Music Catalog
Stevens, Leigh Howard. Method of Movement for Marimba
Stockhausen, Karlheinz. Nr. 9 Zyklus
Stout, Gordon. Two Mexican Dances
Tausch, Julius. Arranged by Percival R. Kirby. March and Polonaise
"Vibraphone." Peters, Gordon B. The Drummer: Man
Vincent, David. W. A Percussionist's Guide to Orchestral Excerpts
Whaley, Garwood. Musical Studies for the Intermediate Snare Drummer; "Technical Studies"
Whistler, Harvey S. "Etude de Ballet No. 1"
Wilcoxon, Charles S. "Rolling in Rhythm"
Section II: Essays on Music
A Brief History of the Symphony; A Review of Percussion in Wisconsin; Analyzing and Listening to Music; The Art and Craft of Publishing; Band Music and Style; Chopin for Marimba; Consequential Trivia in Music History; Environment, Sound and Wind Chimes; Ethnicity in Music; The Good, the Bad or the Indifferent; Hail, Toronto!; Keyboard Percussion Arrangements; Multicultural Music; The Multicultural Youth Concert; Multiculturalism in Contemporary Music; Music and Sociology; Music Composition for Percussion; Music for Persons with Disability; Music in Malaysia; Music in Space; Philosophy in Education; Postulates; The Snare Drum; The Timpani; The Xylophone
Section III: Scholarship in Music
American Drumming in the 19th Century; Ability, Analysis and Conducting; Analysis of Percussion; Becker – Lahara; Kettledrum Performance; Music and Education; Ethics, Copyright and Bibliography; 20th Century African-American Percussionists
20th Century Percussionists of Canada and Europe; 20th Century Women Percussionists
Conclusion, Bibliography, Index