This is our backup site. Click here to visit our main site at MellenPress.com
Linguistic Transformations in Romantic Aesthetics From Coleridge to Emily Dickinson
| Author: | Harris, Morag | |
| Year: | 2002 | |
| Pages: | 252 | |
| ISBN: | 0-7734-7029-8 978-0-7734-7029-3 | |
| Price: | $199.95 | |
Table of Contents
Table of contents:
Preface; Foreword
1. Graphic Transactions: Dickinson, Coleridge, Schiller, and Goethe
2. Coleridge on Becoming an Expert, Self-Maintaining Gardener
3. Garden, Cultivation, Terra Incognita: Coleridge and Metaphorical Structure in Investigation
4. Some Small distance in the Same Dark Room
5. The Ode to a Nightingale : some vantage ground. Keats and the Significance of the Acquisition of Identity
6. Perfect Forms or Beautifully-Formed Imperfections? Keats and the Problem of Knowing Truth by the Clear Perception of Its Beauty
7. Myself and the Supposed person : Emily Brontë and Emily Dickinson
8. Subjects or Lovers? The Vision of the Male in the Female Creative Imagination: The Brontës and Dickinson
Bibliography; Index
Preface; Foreword
1. Graphic Transactions: Dickinson, Coleridge, Schiller, and Goethe
2. Coleridge on Becoming an Expert, Self-Maintaining Gardener
3. Garden, Cultivation, Terra Incognita: Coleridge and Metaphorical Structure in Investigation
4. Some Small distance in the Same Dark Room
5. The Ode to a Nightingale : some vantage ground. Keats and the Significance of the Acquisition of Identity
6. Perfect Forms or Beautifully-Formed Imperfections? Keats and the Problem of Knowing Truth by the Clear Perception of Its Beauty
7. Myself and the Supposed person : Emily Brontë and Emily Dickinson
8. Subjects or Lovers? The Vision of the Male in the Female Creative Imagination: The Brontës and Dickinson
Bibliography; Index