Role of Venetian Renaissance Painting in John Ruskin’s Utopian Theories. A Sociopolitical History of Art
Author: | McKeown, William |
Year: | 2011 |
Pages: | 392 |
ISBN: | 0-7734-1508-4 978-0-7734-1508-9 |
Price: | $239.95 |
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Explores the importance of Venetian Renaissance paintings in the writings and political theories of John Ruskin. While the city and the architecture of Renaissance Venice has been extensively examined by Ruskin scholars, to date there has been little discussion on the influence of Venetian art on Ruskin’s world view. This book examines important Venetian paintings and how their iconography and pictorial components relate to themes in Ruskin’s writings. From these paintings, the book argues that Ruskin found inspiration for the conceptualization of his ideal society in which society exists harmoniously under the laws of justice, obedience, and cooperation.
Table of Contents
List of Illustations
Preface by James Spates
Acknowledgments
Introduction
Chapter 1: Ruskin and the Critical Reception of Venetian Painting in British Culture, 1651-1852
Chapter 2: Solomonic Imagery and the Virtue of Justice in Venetian Art and Ruskin's Political Writings
Chapter 3: Ruskin's Concepts of Kinship and Venetian Depiction of Doges
Chapter 4: Ruskin, St. George's Guild, and Confraternity Paintings in Renaissance Venice
Chapter 5: Virgin Martyrs and the Virgin Mary: Ruskin and the Feminine Ideal in Venetian Renaissance Painting
Bibliography
Index